El Laberinto (The Labyrinth)
21 mins | 2018 | 16mm, found footage, HD | 5.1 | DCP
Spanish | English and French Subtitles
"A journey through memory and ruins (if they are different things) of an old palace, built in the image and likeness of the Dynasty TV show, deep in the Colombian jungle. Shot on 16mm, and following up on the heritage of experimental ethnography, the Colombian Laura Huertas Millán approaches in El laberinto the vestiges of the splendor of the drug business, to enter a hallucinatory mental journey." Gonzalo de Pedro Amatria
"A notorious drug lord leads the viewer on a tour of the bloodstained Colombian jungle and a most curious architectural landmark: an exact replica of the villa from ’80s soap opera Dynasty. Seamlessly intercutting enigmatic clips from the show with original 16mm landscape imagery, this revealing ethnographic study bridges an uncanny pop-historical divide." Projections, New York Film Festival
"The Labyrinth speaks to the syncretism of contemporary Colombia, where the disaster of narcocapitalism coexists with enduring precolonial relations to the world, creating an accord between the violence of the drug wars, the violence of European conquest, and possibilities of survival and resistance against both." Erika Balsom, Speaking into Being: The Ethnographic Fictions of Laura Huertas Millán
EL LABERINTO (THE LABYRINTH)
Trailer - full preview on demand contact hereAwards
Locarno Festival - Pardi di domani Best Direction Prize - PIANIFICACinema Festivals
Locarno Festival 2018 (Pardo di domani international competition)
Toronto International Film Festival, Wavelengths 2018.
New York Film Festival, Projections 2018.
Camden International Film Festival 2018.
Wexner Center for the Arts, Unorthodocs 2018.
Festival Biarritz Amerique Latine 2018.
Le chant du printemps (solo show), Malakoff, France.
Artforum, Leo Goldsmith: Swiss Watch, Leo Goldsmith at the 71st Locarno Film Festival
AOC, Mathilde Villeneuve: L’image-tiers de Laura Huertas Millán
Nos hacemos un cine, Miguel Martín: El Laberinto (Laura Huertas Millán, 2018)